SIGD Celebrates 80 Years of Design Education
On Friday, Nov. 7, over 200 people gathered in the Melton Student Center Ballroom to celebrate the 80th anniversary of the School of Industrial and Graphic Design (SIGD), commemorating the legacy and toasting the future of Auburn design education.
The SIGD 80th Anniversary Celebration and Alumni Design Showcase kicked off with tours of Wallace Hall to see updated facilities and work of the current students in the industrial design (INDD) and graphic design (GDES) programs. School Head Wei Wang served as emcee of the day, welcoming guests and sharing an overview of the history of the School as guests viewed a slideshow of photos throughout the years.
“We have gratitude for those who built our legacy, pride in what we celebrate today and confidence in the bright future that lies ahead,” Wang said, commemorating the historic milestone.


The event featured SIGD’s anniversary brand identity, which was created by GDES alum Will Dove ‘11, and SIGD 80th celebration and alumni show identity designed by current GDES student Colt Bass. Attendees received t-shirts, sketchbooks, decals and more that featured the celebratory designs.
The celebration was sponsored by Copperwing, an award-winning visioning, branding and marketing agency founded by Angela Stiff, a 1991 graduate of the graphic design program and member of the CADC Executive Board.


Recognizing a legacy
During the celebration, four SIGD alumni presented the inaugural Dr. Walter Schaer Legacy Scholarship to INDD senior Dawson Emerson. The scholarship honors the life of longtime professor Walter Schaer, who helped create a culture of innovation and critical thinking in the INDD program using his experience at the renowned German Ulm School of Design.
“Dr. Schaer balanced Germanic precision and utter chaos,” said INDD alum Don Corey ‘93, one of the founding donors of the scholarship. “He taught us to think of others and never design for ourselves.”
Emerson and some of the founding donors—including Corey, Scott Gant ‘92, Tsailu Liu ’92, Mike Poindexter ’92, and Jose Vasquez ‘89, who were present at the event—received a commemorative 3D-printed statue of Schaer known as Wally Awards. Inspired by the plaster figurine Schaer was infamous for bestowing on his students, the award honors and inspires design excellence for years to come.


Looking back
The event continued with two panel discussions to look back at the School’s history and forward to its future.
Moderated by INDD Professor Shea Tillman, the first panel focused on how SIGD has established a renowned legacy, identity and value over the last eight decades with participation from School Head Emeritus Clark Lundell; Professor Emeritus Ray Dugas; alumni Tom Hardy ’70, Angela Stiff ’91, Dorsey Cox ,’85 Elise Thomason ’00; Professor and Master of Industrial Design Program Chair Tin-Man Lau and Associate Professor Samantha Herbert.
The group commented on the importance of collaboration and design principles, the value of craftsmanship and process and how being teachable allows designers to flourish both during school and throughout their careers.
Thomason shared a story of touring colleges and what drew her to Auburn, saying that “the work at Auburn was thoughtful and integrated history and humanity.”


Lundell, who was a faculty member at Auburn for 45 years, challenged the audience to never lose the joy and wonder of being alive.
“The world is filled with the pragmatic and the aesthetic,” he said. “You have to solve the problem in a way that engages the viewer. It has to be beautiful.”
Looking forward
Moderated by GDES Assistant Professor Devon Ward, the second panel envisioned what the next 80 years of the School could look like with perspectives from Wang; alumni and Advisory Council members Ben Rivers ’96, Chris Livaudais ’02, Kat Hollister ’07, John McCabe ’06, Jordan Johnston ’07; GDES Program Chair Robert Finkel and INDD Undergraduate Program Chair Ben Bush.
The group debated the prevalence of artificial intelligence in the design world and how students and professionals have an opportunity to learn and adapt as new technologies emerge, turning prototyping and rendering into a minute-by-minute process. The panelists emphasized the benefits of cross-disciplinary training, the still-relevant role of handcraftsmanship and the need for agility in a changing industry.

“We want our designers to be curious,” Finkel said. “The culture of community and critique will always be important regardless of the advancements in technology.”
Alumni Showcase
Following the presentation and panel discussions, attendees enjoyed refreshments, caught up with old friends and perused design work from 88 SIGD alumni—nearly 40 of whom were in attendance. The showcase featured everything from SylvanSport camping products by Thomas Dempsey ‘89 to Johnson & Murphy footwear by Andrew Brainer ‘19, from a poster for HBO’s “The Last of Us” by Avenley Horner ‘15 to the Google Maps logo by Ty Wilkins ‘03. The collection displayed the wide range and depth of career and creative paths the alumni have taken.
Jordan Johnston, a 2007 GDES graduate and member of the SIGD Advisory Council, lauded the consistency of the designers who have matriculated through the School.
“The School is incredibly authentic,” she said. “We have such hardworking alums with resiliency and grit. It’s important to me to know that is how the programs still function.”


With over a decade of experience as a creative director at L’Oréal, Johnston said she was proud to be a SIGD alumna and excited to have the opportunity to return to the Plains to reconnect with the Auburn family.
That sentiment was reiterated by the current SIGD students who attended the celebration.
“The anniversary shows that the relationships we build in this program are meant to last,” said GDES student Natalie Reese. “Those relationships keep people coming back.”

GDES alum Gerald Gentemann ‘76 reflected on how the celebration commemorated the way Auburn shaped him.
“It was a powerful experience to return to a place that shaped so much of my creative foundation and to see the evolution of the program through the work of today’s students and alumni.” Gentemann said. “The event made me proud—not only of the School’s legacy, but of the boldness and clarity I saw in the graduates’ work.”
“It’s clear that Auburn continues to cultivate designers who think deeply, communicate powerfully and move culture forward.”